DAT Meeting – Vol.1 – 2019

Universidade Anhembi-Morumbi – Graduate Program in Design – ISSN 2675-9004

August 26-28, 2019

O DAT Meeting – Design, Art and Technology from the Postgraduate Program in Design throughout Anhembi Morumbi University (UAM), it aims to bring together thinkers from national and international universities with a specific focus on creative cultural and technological sectors that develop research, projects, ideas, innovation and entrepreneurial activities. It explores the potential to blur the boundaries between design, art and technology with specific reference to discuss creativity in design and technology – examining how digital technology is approached by artists and designers.

Complete Edition



Authors: Artur Cabral, Suzete Venturelli, Gilbertto Prado.
Key words: Computational art. Computational design. Technology. Emergency.

DIMENSTEIN, Gilberto. Smart mulberries , Folha de São Paulo, p. C2 (June 30, 2010).

GARDNER, M. Mathematical Games – The fantastic combinations of John Conway’s new solitaire game ‘life’ , Scientific American, No. 223, 120-123 (October 1970).

LIMA, Leonardo; PRADO, Gilbertto. (2018). Interactive Digital Images . DATJournal Design Art and Technology,[S .l.] , v. 3, n. 2, p. 43-71, Nov. 2018. Available in:< https://ppgdesign.anhembi.br/datjournal/index.php/dat/article/view/86> . Accessed on 03 dec. 2018. DOI: 10.29147 / dat.v3i2.86

MAGALHÃES, Ana Gonçalves; BEIGUELMAN, Giselle (Org.). Possible Futures: Art, Museums and Digital Archives s. São Paulo: Ed. Peirópolis, 2014.

MANDELBROT, Benôit. The fractal geometry of nature . Available in:< https://ordinatous.com/pdf/The_Fractal_Geometry_of_Nature.pdf> . Accessed on: Nov. 29, 2018.

PRADO, Gilbertto; La Ferla, Jorge (Ed.). Alameda Circuit. Ciudad de México: National Institute of Fine Arts | Laboratorio Arte Alameda, 2018. http://www.gilberttoprado.net/assets/circuito_alameda_gttoprado_jlf.pdf

PRADO, Gilbertto. Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment . Leonardo 2018 51: 1, 61-62. The MIT Press https://doi.org/10.1162/LEON_a_01557

PRADO, Gilbertto. Digital Poetics Group: Dialogo y Medio Ambiente. ANIAV – Revista de Investigación en Artes Visuales,[S .l.] , v. 1, n. 1, p. 47-58, jul. 2017. Available in:< https://polipapers.upv.es/index.php/aniav/article/view/7820> . Accessed on July 15. 2017. doi: https: //doi.org/10.4995/aniav.2017.7820.

PRADO, Gilbertto. Digital Poetics Group: slips and mulberry projects . ARS (São Paulo), São Paulo, Vol. 8, n. 16, 2010 . pp. 110-125. Available in< http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202010000200008&lng=pt&nrm=iso> . Accessed on 05 jun. 2011. doi: https://doi.org/10.1590/S1678-53202010000200008

SHIFFMAN, Daniel. The Nature of Code: Simulating Natural Systems with Processing . New York: The Nature of Code, 2012.

SOGABE, Milton; PERES, Carolina; FOGLIANO, Fernando; NUNES, Fabio Oliveira; BRAZ, Soraya; PERES, Carolina; GAZANA, Cleber Gazana: Blow. IN: DATJournal v. 2 n. 1 (2017) DOI: https://doi.org/10.29147/2526-1789.DAT.2017v2i1p104-114

VENTURELLI, Suzete. Computational Art . Brasília: Edunb, 2017.

VENTURELLI Suzete; Cleomar ROCK; SILVA, Teófilo Augusto da; COUTINHO, Cláudio; REIS, Artur Cabral Reis; MARTINS, Tainá and HARGREAVES, Prahlada. Body poiesis . IN: DATJournal, v. 3 n. 1 (2018): DOI: https://doi.org/10.29147/dat.v3i1.78


Author: Lucia Santaella
Key words: Fascination. Aesthetics of fascination. Digital art.

BAUMGARTEN, Alexander G. Reflections on poetry: AG Baumgarten’s meditationes philosophicae de nonnulis ad poema pertinentibus . Karl Aschenbrenner and WB Holther (trads.). Berkeley and Los Angeles: University of California Press, 1954.

BAUMGARTEN, Alexander G. Aesthetica. Hildesheim : G. Olms, 1961.

BORGES, J. Luis. “La muralla y los libros” . In Other inquisicions. Madrid: Alianza Editorial, 1976.

BORGES, J. Luis. “The poetry” . In Seven nights. João Silvério Trevisan (trad.). São Paulo: Max Limonad, 1983.

DELEUZE, Gilles. Spinoza and the signs. Abílio Ferreira (trad.). Porto: Rés Editora, 1970.

LAND, J. In memory of Spinoza . In Studies on Spinoza, Cesar Benjamin (org.). Rio de Janeiro: Counterpoint, 2014, p. 55-92.

BOOK Aesthetics therapy: concepts and techniques . In: https://pensecomigo.com.br/livro-terapeutica-em-estetica-conceitos-e-tecnicas-pdf-fabio-dos-santos-borges/. Access: 09/09/2019, s / d.

LIPOVETSKI, Gilles; SERROY, Jean. The aestheticization of the world. Living in the era of artist capitalism. Eduardo Brandão (trad.). São Paulo: Companhia das Letras, 2013.

PRADO, Gilbertto. Alameda Circuit: Students stabbed over the works of Jardín Alameda, Personals, Shock and Serigraphs . ANIAV – Revista de Investigación en Artes Visuales,[S .l.] , n. 5, p. 13-29, sep. 2019. DOI: 10.4995 / aniav.2019.11967.

PRADO, Gilbertto; LA FERLA, Jorge (Ed.). Alameda Circuit. Ciudad de México: National Institute of Fine Arts | Laboratorio Arte Alameda, 2018. http://www.gilberttoprado.net/assets/circuito_alameda_gttoprado_jlf.pdf Access: 09/09/2019.

SANTAELLA, Lucia. What is semiotics . São Paulo: Brasiliense, 1983.

SODRÉ, Muniz. Sensitive strategies . Affection, media and politics. Petrópolis: Vozes, 2006.

TAKADA, Paula. The art of dazzling . Jornal da Usp, March 18th to 24th, 2002, year XV, no. 589.


Author: Milton Sogabe
Key words: Cyborg. Artificial vision. Post-biological body. Visual devices. Art-technology.

ALI, Robin. Gene and stem cell therapy for retinal disorders . In Vision Research, Visionary of the quarter, 2012. Available at http://www.vision-research.eu/index.php?id=696. Accessed on 11/14/2019

AMBROSIO, Chiara. Unsettling robots and the future of art . In Science, vol. 365, n. 6448, 05/07/2019. Available at https://science.sciencemag.org/content/365/6448/38.full.pdf. Accessed on 17/11/2019

BOUWDLER, Neil. Implanted chip ‘allows blind people to detect objects . BBC News. 3/11/2010. Available at https://www.bbc.com/news/health-11670044. Accessed on 12/11/2019

COHEN, Harold. Official homepage . Available at http://www.aaronshome.com/aaron/index.html. Accessed on 11/16/2019

CONFORTI, Claudinéia. UNINTER. 08/16/2017. Disabled secretary using Ocular Mouse . Available at http://pedagogiauninterbarracao.blogspot.com/2017/08/mouse-ocular-uma-tecnologia-avancada.html. Accessed on 17/11/2019

CREATORS Project.[Vídeo] Colonies | Vik Muniz and Tal Danino Transform Living Cells into Art . In Vice Brasil. 20/08/2014. Available at https://www.vice.com/pt_br/article/8qdy4x/colonias-vik-muniz-e-tal-danino-transformam-celulas-vivas-em-arte. Accessed on 17/11/2019

DAUGHERTY, Anna. The Extraordinary Artwork of Francis Tsai . In Medium, The Alcade. Mar 30, 2015. Available at https://medium.com/the-alcalde/the-extraordinary-artwork-of-francis-tsai-1d9cfe58894. Accessed on 11/14/2019.

DEDAVID, Berenice Anina; GOMES, Carmen Isse and MACHADO, Giovanna.Scanning electron microscopy: applications and sample preparation: polymeric, metallic and semiconductor materials[recurso eletrônico] – Porto Alegre: EDIPUCRS, 2007. Available at http://www.pucrs.br/edipucrs/online/microscopia.pdf. Accessed on 10/13/2019

DOBELLE, WH Artificial Vision for the Blind by Connecting a Television Camera to the Visual Cortex In ASAIO Journal 2000; 46: 3-9. Available at https://pdfs.semanticscholar.org/1777/93b5b3f7d8610b159e7da4a85013db60acdd.pdf. Accessed on 11/13/2019

ELDRED, Kiara et all. Thyroid hormone signaling specifies cone subtypes in human retinal organoids . Science Journal, vol. 362, month 10, 2018.

ENLIGHTENMENT MATTER. To see or not to see . 29/04/2006. https://enlightenmentmatters.wordpress.com/?s=leonardo+da+vinci

ENOCH, Jay M. “The Enigma of Early Lens Use.” Technology and Culture, vol. 39, no. 2, 1998, pp. 273–291. JSTOR, Available at https://www.jstor.org/stable/3107047?read-now=1&seq=2#page_scan_tab_contents. Access on 10/10/2019

ÉVORA, Fátima Regina Rodrigues. The discovery of the telescope: the result of deductive reasoning? Cad. Cat. Ens. Fis., Florianópolis, 6 30 (Special number): 30-48, Jun. 1989. Available at file: /// C: /Users/Milton%20Sogabe/Downloads/10068-50438-1-PB.pdf. Accessed on 12/10/2019

FRANKLIN – The Flanklin Institute. Maillardet´s Automaton. Available at https://www.fi.edu/history-resources/automaton. Accessed on 11/16/2019

GOMMEL, Matthias; HAITZ, Martina; ZAPPE, Jan. Autoportrait . Robotlab, 01/10/2004. Available at http://www.robotlab.de/auto/portrait_en.htm. Accessed on 17/11/2019

HARARI, Yuval Noah. Homo Deus: a brief history of tomorrow . São Paulo, Companhia das Letras, 2016.

HARBISSON, Neil. I listen to colors. TEDGlobal 2012 | June 2012. Available at https://www.ted.com/talks/neil_harbisson_i_listen_to_color#t-505090. Accessed on 11/15/2019

HARBISSON, Neil. D&AD President’s Lecture . D&AD – Creative Advertising, Design and Digital. 2015. Available at https://www.youtube.com/watch?v=2lHPpyRZujM. Accessed on 11/15/2019

HELDEN, Albert Van. The beginnings, from Lipperhey to Huygens and Cassini . Experimental Astronomy. 2009.

Hofstetter, Henry W. & Graham, Robert. Leonardo and Vision Science . Optometry and Vision Science: January, Volume 30 – Issue 1. 1953. ppg 41-44 Available in
https://journals.lww.com/optvissci/Fulltext/1953/01000/LEONARDO_AND_CONTACT_LENSES_.11.aspx. Accessed on 11/14/2019.

HOGG, Jabez. Microscope: its history, construction and application . London, The Illustrated London Library. 1854. Available at https://books.google.com.br/books?hl=en&lr=&id=AAc9AAAAYAAJ&oi=fnd&pg=PA4&dq=history+microscope&ots=5Veelt4hZf&sig=doW6BASCBiCaHNS-xf9xaTM9Azq#se=ory%20page Accessed on 10/13/2019.

HUBBLE, Hubble site . NASA. Available at https://hubblesite.org/. Accessed on 17/11/2019

H + Pedia. File: Neil-harbisson-1.jpg. 13/11/2018. Available at https://hpluspedia.org/wiki/File:Neil-harbisson-1.jpg. Accessed on 11/11/2019

KURZWEIL, Ray. The Singularity is Near . Penguin Group, 2005. Disponível em http://stargate.inf.elte.hu/~seci/fun/Kurzweil,%20Ray%20-%20Singularity%20Is%20Near,%20The%20%28hardback%20ed%29%20%5Bv1.3%5D.pdf. Acesso em 16/11/2019.

LAUFER, B. (1915). Optical Lenses: I. Burning-Lenses in China and India. T’oung Pao, 16 (2), second series, 169-228. Available at http://www.jstor.org/stable/4526448. Accessed on 10/10/2019

LEIDNER, Daniel; DIETRICH, Alexander. Rollin ‘Justin. Institute of Robotics and Mechatronics. German Aerospace Center. Available at https://www.dlr.de/rm/en/desktopdefault.aspx/tabid-11427/#gallery/28335. Accessed on 12/11/2019

LOPER, Adriane Aparecida and MARTINS, João Batista. Mouse Ocular: technology for communication . In X National Communication Congress. Pontifical Catholic University of Paraná, Curitiba, 2011. P.13537-13548.

MOON, Jin-Hee; Dong Hyun Baek, Yoon Young Choi, Kwang Ho Lee, Hee Chan Kim, Sang-Lee Lee. Wearable polyimide-PDMS electrodes for intrabody communication . In Journal of Micromechanics and Microengineering. Vol .: 20, Number 2, February, 2010.

PERES, Carolina. The body, the camera and the act of photographing . In CARVALHO, Agda and LEOTE, Rosangella. Body / Object / Space: Perceptions and Transductions. DATJournal, v.3 n.1 2018. P. 94-108. Available at https://datjournal.anhembi.br/dat/article/view/74/65. Accessed on 11/11/2019. DOI: https://doi.org/10.29147/dat.v3i1

PERKINS, Robert. Lensless Camera: Ultra-Thin Camera Creates Images Without Lenses In Caltech, June 21, 2017 Available at https://www.caltech.edu/about/news/ultra-thin-camera-creates-images-without-lenses-78731. Accessed on 06/11/2019

ROBOTLAB. Autoprotrait . 2019 Available at http://www.robotlab.de/auto/pics07/autoportrait-mucsarnok03.htm. Accessed on 11/17/2019.

ROSSI, Paolo. Philosophers and machines: 1400-1700 . São Paulo, Companhia das Letras. 1989.

SANTOS FILHO, Sebastião G. dos. AFM AND STM: atomic force microscopy and tunneling . LSI / PSI / EPUSP. Available at http://www.lsi.usp.br/~acseabra/pos/5749_files/AFM_STM.pdf. Accessed on 10/15/2019

SCHOR, Paulo. Physiological Optics and Refractive Surgery ; Thesis (Free Teaching in Ophthalmology) Federal University of São Paulo – Escola Paulista de Medicina. 2003

SINES, George and SAKELLARAKIS, Yannis A. “Lenses in Antiquity.” American Journal of Archeology, vol. 91, no. 2, 1987, pp. 191–196. JSTOR, Available at www.jstor.org/stable/505216. Accessed on 10/10/2019

SOKOL, Zach.[Exclusive Video] Creating Sand Castles With A Single Grain Of Sand . In Vice. Mar 27 2014. Available at https://www.vice.com/en_us/article/xy4zj3/creating-sand-castles-with-a-single-grain-of–sand. Access on 11/17/2019

SPENCE, Rob. Rob Spence – Eyeborg, the Enhanced Self . TEDXBrussels, 2011. Available at https://eyeborgproject.tv/ted-talks/. Accessed on 11/15/2019

TSAI, Francis. Official webpage . Available at http://teamgt.com/. Accessed on 11/14/2019

VOYAGER, NASA, Jet Propulsion Laboratory . Available at https://voyager.jpl.nasa.gov/. Accessed on 17/11/2019

WIKIMEDIA COMMONS. Sonochromatic Records by Neil Harbisson . Exhibited in New York. 20/08/2014. Available at https://commons.wikimedia.org/wiki/File:Neil_Harbisson_Exhibition.jpg?uselang=pt-br. Accessed on 11/11/2019


Author: Silvia Laurentiz
Key words: Sign. Standard. Apprenticeship. Algorithm.

FLUSSER, Vilém (2010). The Coded World . São Paulo: Cosac Naify, 2010 (2nd reprint, 1st ed. In 2007).

GONFALONIERI, Alexandre (2019). What is an AI Algorithm? What makes the difference between a regular Algorithm and a Machine Learning Algorithm? In https://medium.com/predict/what-is-an-ai-algorithm-aceeab80e7e3 (accessed in June 2019).

LAURENTIZ, Silvia (2018). Conformed Thought: Consolidating Traces of Memories, International Conference of Design, User Experience, and Usability , Pages 28-40, Ed. Springer, Cham.

LAURENTIZ, Silvia (2017). Video games and the development of cognitive skills , DATJournal, Vol 2 No 1, p. 80-90. DOI: 10.29147 / 2526-789.DAT.2017v2i1p79-89

KOSSLYN, Stephen et al (2015). Mental Imagery: Functional Mechanisms and Clinical Applications , In Trends in Cognitive Sciences, October 2015, Vol. 19, No. 10 http://dx.doi.org/10.1016/j.tics.2015.08.003 (accessed June 2017).

KOSSLYN, Stephen (2005). Mental Images and the Brain, Psychology Press , COGNITIVE NEUROPSYCHOLOGY, 2005, 22 (3/4), 333–347.

SAMUEL, Arthur (1959). Some Studies in Machine Learning Using the Game of Checkers (1959) , originally published in IBM Journal, Vol. 3, No. 3, July, 1959.


Author: Sonia Guggisberg
Key words: Performative documentation. Ecology of knowledge. Technological hybridism. A testimony. Human vulnerability.

ARANTES, Priscila; OLIVEIRA, Mirtes. Design and Activism . DATJournal Design Art and Technology, v. 4, n. 2 (2019). Editorial, p. 1-2. Available in: https://datjournal.anhembi.br/dat/article/view/124/103 . Accessed on: 8 nov. 2019. DOI: https://doi.org/10.29147/dat.v4i2.124 .

LIMA, Leonardo; PRADO, Gilbertto. Interactive Digital Images . DATJournal v. 3 n. 2 (2018), p. 43-71. DOI: https://doi.org/10.29147/dat.v3i2.86

GREINER, Christine. The body in crisis: new clues and the short circuit of representations . São Paulo: Annablume, 2010.

GUGGISBERG, Sonia. Networks of images, memories and testimonies: for a performative documentation of knowledge . São Paulo: Intermeios, 2017.

GUGGISBERG, Sonia. Life Wheel . Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts. Braga, Portugal. IT HURTS: https://doi.org/10.5965/25944630312019032 .

PARENTE, André. The cinema form: variations and ruptures . In: MACIEL, Katia (Org.). Transcinemas. Rio de Janeiro: Contra Capa, 2009.

PARENTE, André. Network plots: new aesthetic and political dimensions of communication . Porto Alegre: Sulina, 2004.

PRADO, Gilbertto. Telematics: from one-to-one exchanges to multi-user virtual environments . São Paulo: Itaú Cultural, 2003.

PRADO, Gilbertto; TAVARES, Monica; ARANTES, Priscila (Org.). Transdisciplinary dialogues: art and research. São Paulo: ECA / USP, 2016.

ZUANON, Rachel .; PRADO, Gilbertto .; FERREIRA, Claudio Lima. Transdisciplinarities: Projects, materials and processes . DAT Journal , v. 1, n. 2, p. 1, 27 Dec. 2016.

SANTOS, Boaventura de Sousa. The future of the World Social Forum: the work of translation . Revista del Observatorio Social de América Latina, 2004, p. 77-90. Available in: <https://www.ces.uc.pt/myces/UserFiles/livros/65_Futuro%20FSM%20-%20O%20trabalho%20da%20traducao_OSAL_2004.pdf> . Accessed on: 8 nov. 2019.

SANTOS, Boaventura de Sousa; MENESES, Maria Paula (Org.). Southern epistemologies . São Paulo: Cortez, 2010.



Author: Andréa Catrópa da Silva
Key words: Shortly.



CATROPA, Andrea; PRADO, Gilbertto. “Designed Words: Aesthetics of the Future in Brazilian Concrete Poetry.” The International Journal of Visual Design 12 (4): 35-53. 2018. doi: 10.18848 / 2325-1581 / CGP / v12i04 / 35-53.

CATROPA, Andrea .; NESTERIUK, Sergio .; PRADO, Gilbertto. From Hörspiel to Audio Fiction: Sound Design Perspectives for Blind and Visually Impaired People in Digital Human Modeling. Applications in Health, Safety, Ergonomics, and Risk Management. The 20th International Conference on Human-Computer Interaction, HCI International 2018, Las Vegas, NV, USA, pp. 268-279. DOI: 10.1007 / 978-3-319-91397-1_23 january 2018.

CHENIAUX, Elie. “Dreams: integrating psychoanalytic and neuroscientific views ”. In: Revista de Psiquiatria do Rio Grande do Sul, v. 28, n. 2, p. 169-177, 2006.

ELKIN, Lauren; ESPOSITO, Scott.The End of Oulipo? – An attempt to exhaust a movement. London: John Hunt Publishing, 2012.

FREUD, Sigmund. “The interpretation of dreams” . In: Standard Brazilian edition of the complete psychological works by Sigmund Freud. Rio de Janeiro: Imago, 2006.

GOOGLE OFFICIAL BLOG. Introducing the Knowledge Graph: things, not strings. Available at: https://googleblog.blogspot.com/2012/05/introducing-knowledge-graph-things-not.html. Consulted on: 03/04/2020

GRACIANO, A .; NESTERIUK, S .; PRADO, G. Considerations about “Pattern” . DAT Journal, v. 1, n. 2, p. 76-90, 27 Dec. 2016.

GRACIANO, Andrea. & PRADO, Gilbertto. (2019). Orbi Tipography: An algorithm based design project. Proceedings of the 9Th International Conference on Digital and Interactive Arts. Braga, Portugal. New York: The Association for Computing Machinery. P. 199-204. New York: The Association for Computing Machinery. ACM ISBN 978-1-4503-7250-3 / 19/10 https://doi.org/10.1145/3359852.3359862

JUNG, Carl Gustav. Memories, dreams, reflections . Rio de Janeiro: Nova Fronteira, 2016.

LIMA, Andréa Pereira de. “Freud’s structural model and the brain: a proposal for integration between psychoanalysis and neurophysiology” . In: Archives of Clinical Psychiatry. São Paulo, Vol. 37, n. 6, p. 280-287, 2010.

PENNINO GRACIANO, A .; PARAGUAY, L. Algorithm and Typography: The Code as part of the digital font creation process . DAT Journal, v. 1, n. 1, p. 116-128, 29 Nov. 2016.

RIBEIRO, Siddhartha. The oracle of the night- The history and science of the dream . São Paulo: Companhia das Letras, 2019.

RIBEIRO, Siddhartha. “Dream, memory and Freud’s reunion with the brain” . In: Brazilian Journal of Psychiatry, v. 25, p. 59-63, 2003.

SALLES, Cecília Almeida. Unfinished gesture: artistic creation process . São Paulo: Anablume, 1988.

Author: Juliana Harrison Henno
Key words: Shortly.


Author: Lorena Ferreira Alves
Key words: Shortly.


Author: Luisa Paraguay
Key words: Shortly.


Authors: Marcos Cuzziol and Gilbertto Prado
Key words: Restoration. Desertesejo. VRML. Art and technology. Design

COUCHOT, Edmond. Technology in art: from photography to virtual reality . Porto Alegre: Editora da UFRGS, 2003.

CUZZIOL, Marcos. Desertesejo 2000 – Construction Site . Rapporteur COELHO, Julia In: FREIRE, Cristina (Org.). Contemporary Art: Preserving what? São Paulo: Museum of Contemporary Art of São Paulo, 2015. P. 161-166.

CUZZIOL, Marcos. R creation and maintenance of digital works: two experiences at Instituto Itaú Cultural . In: PRADO, Gilbertto; TAVARES, Monica; ARANTES, Priscila (Org.). Transdisciplinary dialogues: art and research. São Paulo: ECA / USP, 2016. P. 266-273.

CEPEDA, RG (2019). Rescuing new media art from technological obsolescence . DAT Journal , 4 (3), 37-46. https://doi.org/10.29147/dat.v4i3.145

DEWEY, John. Art as an experience . São Paulo: Martins Fontes, 2010.

DUGUET, Anne Marie. “ Does interactivity lead to new definitions in art? “ , in:

SCHWARZ, Hans and SHAW, Jeffrey (eds.). Media Art Perspectives , Karlsruhe, ZKM / Cantz Verlag, 1995, p.146-150.

FOREST, Fred. Art et Internet . Paris: Editions Cercle d’Art, 2008.

LIMA, Leonardo; PRADO, Gilbertto. Interactive Digital Images . DATJournal Design Art and Technology,[S .l.] , v. 3, n. 2, p. 43-71, Nov. 2018. DOI: https://doi.org/10.29147/dat.v3i2.86

AX, Arlindo. The subject on the screen: enunciation modes in cinema and cyberspace . São Paulo: Paulus, 2007.

MELLO, Christine. Art at the Ends . In: MACHADO, Arlindo (Org.). Three Decades of Brazilian Video. São Paulo: Itaú Cultural, 2003. P. 143-174.

O’ROURKE, Karen. Des arts-réseaux aux dérives programmées: actualité de «l’art comme expérience» . Enablement à diriger des recherches. Université Paris 1, 2011.

O’ROURKE, Karen. Walking and Mapping : artists as cartographers . Cambridge: MIT Press, 2013.

PRADO, Gilbertto. Art et Télématique. In: Les Cahiers du Collège Iconique , Communications et débats, n. XVIII, 2004-2005. Inathèque de France – Institut National de l’audiovisuel. Paris: INA, 2006. P. 1-39.

PRADO, Gilbertto. Artistic Experiments on Telematic Nets: Recent Experiments in Multiuser Virtual Environments in Brazil . In Leonardo, Vol. 37, No. 4, pp. 297-303, MIT Press, USA, 2004.

PRADO, Gilbertto. Telematic art: from one-off exchanges to multi-user virtual environments . São Paulo: Itaú Cultural, 2003. https://poeticasdigitais.files.wordpress.com/2009/09/2003-arte_telematica_dos_intercambios_pontuais_aos.pdf

PRADO, Gilbertto. (2013).‘Digital Art, Dialogues and Process’ in Possible Futures : Art , Museums And Digital Archives (org. Ana Gonçalves Magalhães; Giselle Beiguelman), São Paulo: Ed. Peirópolis, p. 114-128.

PRADO, Gilbertto; La Ferla, Jorge. Alameda Circuit . Mexico City: INBA | Laboratorio Arte Alameda, 2018. http://www.poeticasdigitais.net/assets/circuito_alameda_gttoprado_jlf.pdf

PRADO, Gilbertto; ASSIS, Jesus; RIBENBOIM, Ricardo. Two recent experiments in multiuser virtual environments in Brazil: Immaterials 99 and Desertesejo . In: Proceedings The Eghth Biennial Symposium on Arts and Technology , Connecticut College, New London, USA, 2001, p. 100-109.

ZUANON, Rachel .; PRADO, Gilbertto .; FERREIRA, Claudio Lima. Transdisciplinarities: Projects, materials and processes . DAT Journal , v. 1, n. 2, p. 1, 27 Dec. 2016.

WEIBEL, Peter. “The World as Interface: toward the construction of context-controlled event-worlds” in: DRUCKREY, Timothy. Electronic Culture : technology and visual representation, New York, Aperture, 1996.


Author: Priscilla Arantes
Key words: Exposure. Artemedia. Aesthetics. Art and technology. Design.

ARANTES, Priscila. 2005. Arte @ Mídia: perspectives of digital aesthetics . São Paulo, FAPESP / Editora Senac.

ARANTES, Priscila 2016. ISSOEOSODOSSO . São Paulo: Paço das Artes.

ARANTES, Priscila. 2005. Arte @ Mídia: perspectives of digital aesthetics . São Paulo, FAPESP / Editora Senac.

ARANTES, Priscila; OLIVEIRA, Mirtes. Design and Activism . DAT Journal Design Art and Technology, Vol 4 No 2 (2019). Editorial, p.1-2. Available at: https://datjournal.anhembi.br/dat/article/view/124/103. Accessed on: 26 sept. 2019. DOI: https://doi.org/10.29147/dat.v4i2.124

ARANTES, Priscila; PRADO, Gilbertto. (2019). Expanded Circuits and Poetic re-writings: Alameda Circuit. Proceedings of the 25th International Symposium on Electronic Art. Gwangju, Korea: Art Center Nabi. Available at: http://j.mp/2Y893FU Accessed on: 26 sep. 2019. P. 679-682.

BARBOSA, Valéria; ARANTES, Priscila. Outstanding in egg production, DATJournal v.4 n.2 (2019), 122-134. Available in:< https://datjournal.anhembi.br/dat/article/view/137> . Accessed on: 26 sept. 2019. DOI: https://doi.org/10.29147/dat.v4i2.137

CATROPA, Andrea; PRADO, Gilbertto. 2018. “Designed Words: Aesthetics of the Future in Brazilian Concrete Poetry.” The International Journal of Visual Design 12 (4): 35-53. doi: 10.18848 / 2325-1581 / CGP / v12i04 / 35-53. DOI: https://doi.org/10.18848/2325-1581/CGP/v12i04/35-53

FLUSSER, Vilém (1985). Philosophy of the black box – Essays for a future philosophy of photography .

FLUSSER, V, 2007. The codified world: for a philosophy of design and communication . organized by Rafael Cardoso. Translation by Raquel Abi-Sâmara. São Paulo: Cosac Naify.

PRADO, Gilbertto; TAVARES, Monica; ARANTES, Priscila (Org.). 2016. Transdisciplinary dialogues: art and research . São Paulo: ECA / USP. Available in:< http://poeticasdigitais.net/POETICAS/assets/dialogostransdisciplinares.pdf> . Accessed on: 03 dec. 2018.

VENTURELLI Suzete; Cleomar ROCK; SILVA, Teófilo Augusto da; COUTINHO, Cláudio; REIS, Artur Cabral Reis; MARTINS, Tainá and HARGREAVES, Prahlada. Body poiesis. IN: DATJournal v. 3 n. 1 (2018): DOI: https://doi.org/10.29147/dat.v3i1.78


Author: Rodolfo Ward
Key words: Anthropocene. Culture. Art and technology. Design.

HAN, Byung-Chul. The society of transparency. Lisbon: Relógio D’Água Editores, 2014.

HAN, Byung-Chul. Tiredness society . Translation by Enio Giachini. Petrópolis: Vozes, 2015.

PENA VEGA, Alfredo. Wawekrurê: different looks ./Rodolfo Ward, organization, photographs. Brasília: Federal Senate, Editorial Board, 2015. 156 p .: il., Photos. Federal Senate Editions, v. 213.Link: https://www.youtube.com/watch?v=YcyB31iQOrY



  • Gilbertto Prado (UAM – Universidade Anhembi Morumbi, Brasil);
  • Sérgio Nesteriuk (UAM – Universidade Anhembi Morumbi, Brasil);
  • Suzete Venturelli ( UAM – Anhembi Morumbi University, Brazil).

Scientific commission

  • Andréa Catrópa da Silva ( UAM – Anhembi Morumbi University, Brazil);
  • Juliana Harrison Henno ( USP – University of Sao Paulo);
  • Lorena Ferreira Alves ( UnB – University of Brasilia);
  • Lucia Santaella ( PUC – Pontifical Catholic University – São Paulo, Brazil);
  • Luisa Paraguai (PUC – Pontifical Catholic University – Campinas, Brazil);
  • Milton Sogabe (UAM – Anhembi Morumbi University, Brazil);
  • Priscilla Arantes ( UAM – Anhembi Morumbi University, Brazil);
  • Rachel Zuanon (Unicamp – University of Campinas, Brazil);
  • Rodolfo Ward ( UnB – University of Brasilia);
  • Silvia Laurentiz ( USP – University of Sao Paulo);
  • Sonia Guggisberg ( USP – University of Sao Paulo).
Seg, 26/08 Seg, 26/08
Opening | 9:30 am to 10:00 am

  • Gilbertto Prado;
  • Paolo Roberto Inglese Tommasini (Reitor);
  • Suzete Venturelli;
  • Sérgio Nesteriuk (Coord. PPG Design)

Lecture | 10am to 11am
The Pleasure of the Image

  • Regina Silveira;
  • Gilbertto Prado (UAM – Mediator).

Debate | 11am to 12pm

  • Members’ participation;
Seg, 26/08 Tue, 8/27
Round Table | 4 pm to 5:30 pm

  • Anna Mae Barbosa (UAM);
  • Maria Luiza Fragoso (UFRJ) /[Vídeo ensaio] ;
  • Eloize Navalon (UAM).

Debate | 5:30 pm to 7:00 pm

  • Members’ participation;

Lecture | 10 am to 11:30 am
Aesthetics of fascination

  • Lúcia Santaella;
  • Suzete Venturelli (UAM – Mediator).

Debate | 11:30 am to 1:00 pm

  • Members’ participation;
Tue, 8/27 Wed, 8/28
Round Table | 2 pm to 3:30 pm

  • Alan Richard (UAM);
  • Marcos Cuzziol (Itaú Cultural);
  • Silvia Laurentiz (USP);
  • Sérgio Nesteriuk (UAM – Mediator).

Debate | 5:30 pm to 7:00 pm

  • Members’ participation;

DAT Round Table | 2 pm to 3:30 pm

  • Alckmar Luis dos Santos (UFSC);
  • Andrea Catrópa (UAM);
  • Ricardo Balija (UAM);
  • Geraldo Coelho Lima Júnior (UAM – Mediator).

Debate | 3:30 pm to 5:00 pm

  • Members’ participation;
Wed, 8/28 Wed, 8/28

Lecture | 5 pm to 6 pm

  • Milton Sogabe (UAM).

Closing | 6 PM

  • Closing of the day’s work and the event