DAT Meeting – Vol.1 – 2019

Universidade Anhembi-Morumbi – Graduate Program in Design – ISSN 2675-9004

August 26-28, 2019

O DAT Meeting – Design, Art and Technology from the Postgraduate Program in Design throughout Anhembi Morumbi University (UAM), it aims to bring together thinkers from national and international universities with a specific focus on creative cultural and technological sectors that develop research, projects, ideas, innovation and entrepreneurial activities. It explores the potential to blur the boundaries between design, art and technology with specific reference to discuss creativity in design and technology – examining how digital technology is approached by artists and designers.

Complete Edition

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TEXTS

Title: DETECTED SIGNS BETWEEN THE BIOLOGICAL AND THE MACHINERY
Authors: Artur Cabral, Suzete Venturelli, Gilbertto Prado.
Key words: Computational art. Computational design. Technology. Emergency.
References

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LIMA, Leonardo; PRADO, Gilbertto. (2018). Interactive Digital Images . DATJournal Design Art and Technology,[S .l.] , v. 3, n. 2, p. 43-71, Nov. 2018. Available in:< https://ppgdesign.anhembi.br/datjournal/index.php/dat/article/view/86> . Accessed on 03 dec. 2018. DOI: 10.29147 / dat.v3i2.86

MAGALHÃES, Ana Gonçalves; BEIGUELMAN, Giselle (Org.). Possible Futures: Art, Museums and Digital Archives s. São Paulo: Ed. Peirópolis, 2014.

MANDELBROT, Benôit. The fractal geometry of nature . Available in:< https://ordinatous.com/pdf/The_Fractal_Geometry_of_Nature.pdf> . Accessed on: Nov. 29, 2018.

PRADO, Gilbertto; La Ferla, Jorge (Ed.). Alameda Circuit. Ciudad de México: National Institute of Fine Arts | Laboratorio Arte Alameda, 2018. http://www.gilberttoprado.net/assets/circuito_alameda_gttoprado_jlf.pdf

PRADO, Gilbertto. Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment . Leonardo 2018 51: 1, 61-62. The MIT Press https://doi.org/10.1162/LEON_a_01557

PRADO, Gilbertto. Digital Poetics Group: Dialogo y Medio Ambiente. ANIAV – Revista de Investigación en Artes Visuales,[S .l.] , v. 1, n. 1, p. 47-58, jul. 2017. Available in:< https://polipapers.upv.es/index.php/aniav/article/view/7820> . Accessed on July 15. 2017. doi: https: //doi.org/10.4995/aniav.2017.7820.

PRADO, Gilbertto. Digital Poetics Group: slips and mulberry projects . ARS (São Paulo), São Paulo, Vol. 8, n. 16, 2010 . pp. 110-125. Available in< http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202010000200008&lng=pt&nrm=iso> . Accessed on 05 jun. 2011. doi: https://doi.org/10.1590/S1678-53202010000200008

SHIFFMAN, Daniel. The Nature of Code: Simulating Natural Systems with Processing . New York: The Nature of Code, 2012.

SOGABE, Milton; PERES, Carolina; FOGLIANO, Fernando; NUNES, Fabio Oliveira; BRAZ, Soraya; PERES, Carolina; GAZANA, Cleber Gazana: Blow. IN: DATJournal v. 2 n. 1 (2017) DOI: https://doi.org/10.29147/2526-1789.DAT.2017v2i1p104-114

VENTURELLI, Suzete. Computational Art . Brasília: Edunb, 2017.

VENTURELLI Suzete; Cleomar ROCK; SILVA, Teófilo Augusto da; COUTINHO, Cláudio; REIS, Artur Cabral Reis; MARTINS, Tainá and HARGREAVES, Prahlada. Body poiesis . IN: DATJournal, v. 3 n. 1 (2018): DOI: https://doi.org/10.29147/dat.v3i1.78

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Title: AESTHETICS OF FASCINATION
Author: Lucia Santaella
Key words: Fascination. Aesthetics of fascination. Digital art.
References

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BAUMGARTEN, Alexander G. Aesthetica. Hildesheim : G. Olms, 1961.

BORGES, J. Luis. “La muralla y los libros” . In Other inquisicions. Madrid: Alianza Editorial, 1976.

BORGES, J. Luis. “The poetry” . In Seven nights. João Silvério Trevisan (trad.). São Paulo: Max Limonad, 1983.

DELEUZE, Gilles. Spinoza and the signs. Abílio Ferreira (trad.). Porto: Rés Editora, 1970.

LAND, J. In memory of Spinoza . In Studies on Spinoza, Cesar Benjamin (org.). Rio de Janeiro: Counterpoint, 2014, p. 55-92.

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LIPOVETSKI, Gilles; SERROY, Jean. The aestheticization of the world. Living in the era of artist capitalism. Eduardo Brandão (trad.). São Paulo: Companhia das Letras, 2013.

PRADO, Gilbertto. Alameda Circuit: Students stabbed over the works of Jardín Alameda, Personals, Shock and Serigraphs . ANIAV – Revista de Investigación en Artes Visuales,[S .l.] , n. 5, p. 13-29, sep. 2019. DOI: 10.4995 / aniav.2019.11967.

PRADO, Gilbertto; LA FERLA, Jorge (Ed.). Alameda Circuit. Ciudad de México: National Institute of Fine Arts | Laboratorio Arte Alameda, 2018. http://www.gilberttoprado.net/assets/circuito_alameda_gttoprado_jlf.pdf Access: 09/09/2019.

SANTAELLA, Lucia. What is semiotics . São Paulo: Brasiliense, 1983.

SODRÉ, Muniz. Sensitive strategies . Affection, media and politics. Petrópolis: Vozes, 2006.

TAKADA, Paula. The art of dazzling . Jornal da Usp, March 18th to 24th, 2002, year XV, no. 589.

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Title: LOOK, TECHNOLOGY AND ART
Author: Milton Sogabe
Key words: Cyborg. Artificial vision. Post-biological body. Visual devices. Art-technology.
References

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FRANKLIN – The Flanklin Institute. Maillardet´s Automaton. Available at https://www.fi.edu/history-resources/automaton. Accessed on 11/16/2019

GOMMEL, Matthias; HAITZ, Martina; ZAPPE, Jan. Autoportrait . Robotlab, 01/10/2004. Available at http://www.robotlab.de/auto/portrait_en.htm. Accessed on 17/11/2019

HARARI, Yuval Noah. Homo Deus: a brief history of tomorrow . São Paulo, Companhia das Letras, 2016.

HARBISSON, Neil. I listen to colors. TEDGlobal 2012 | June 2012. Available at https://www.ted.com/talks/neil_harbisson_i_listen_to_color#t-505090. Accessed on 11/15/2019

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LOPER, Adriane Aparecida and MARTINS, João Batista. Mouse Ocular: technology for communication . In X National Communication Congress. Pontifical Catholic University of Paraná, Curitiba, 2011. P.13537-13548.

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PERES, Carolina. The body, the camera and the act of photographing . In CARVALHO, Agda and LEOTE, Rosangella. Body / Object / Space: Perceptions and Transductions. DATJournal, v.3 n.1 2018. P. 94-108. Available at https://datjournal.anhembi.br/dat/article/view/74/65. Accessed on 11/11/2019. DOI: https://doi.org/10.29147/dat.v3i1

PERKINS, Robert. Lensless Camera: Ultra-Thin Camera Creates Images Without Lenses In Caltech, June 21, 2017 Available at https://www.caltech.edu/about/news/ultra-thin-camera-creates-images-without-lenses-78731. Accessed on 06/11/2019

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Title: CONFORMED THINKING: EXPERIENCE, SENSATIONS AND COGNITION
Author: Silvia Laurentiz
Key words: Sign. Standard. Apprenticeship. Algorithm.
References

FLUSSER, Vilém (2010). The Coded World . São Paulo: Cosac Naify, 2010 (2nd reprint, 1st ed. In 2007).

GONFALONIERI, Alexandre (2019). What is an AI Algorithm? What makes the difference between a regular Algorithm and a Machine Learning Algorithm? In https://medium.com/predict/what-is-an-ai-algorithm-aceeab80e7e3 (accessed in June 2019).

LAURENTIZ, Silvia (2018). Conformed Thought: Consolidating Traces of Memories, International Conference of Design, User Experience, and Usability , Pages 28-40, Ed. Springer, Cham.

LAURENTIZ, Silvia (2017). Video games and the development of cognitive skills , DATJournal, Vol 2 No 1, p. 80-90. DOI: 10.29147 / 2526-789.DAT.2017v2i1p79-89

KOSSLYN, Stephen et al (2015). Mental Imagery: Functional Mechanisms and Clinical Applications , In Trends in Cognitive Sciences, October 2015, Vol. 19, No. 10 http://dx.doi.org/10.1016/j.tics.2015.08.003 (accessed June 2017).

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Title: PASSAGE TESTIMONIES
Author: Sonia Guggisberg
Key words: Performative documentation. Ecology of knowledge. Technological hybridism. A testimony. Human vulnerability.
References

ARANTES, Priscila; OLIVEIRA, Mirtes. Design and Activism . DATJournal Design Art and Technology, v. 4, n. 2 (2019). Editorial, p. 1-2. Available in: https://datjournal.anhembi.br/dat/article/view/124/103 . Accessed on: 8 nov. 2019. DOI: https://doi.org/10.29147/dat.v4i2.124 .

LIMA, Leonardo; PRADO, Gilbertto. Interactive Digital Images . DATJournal v. 3 n. 2 (2018), p. 43-71. DOI: https://doi.org/10.29147/dat.v3i2.86

GREINER, Christine. The body in crisis: new clues and the short circuit of representations . São Paulo: Annablume, 2010.

GUGGISBERG, Sonia. Networks of images, memories and testimonies: for a performative documentation of knowledge . São Paulo: Intermeios, 2017.

GUGGISBERG, Sonia. Life Wheel . Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts. Braga, Portugal. IT HURTS: https://doi.org/10.5965/25944630312019032 .

PARENTE, André. The cinema form: variations and ruptures . In: MACIEL, Katia (Org.). Transcinemas. Rio de Janeiro: Contra Capa, 2009.

PARENTE, André. Network plots: new aesthetic and political dimensions of communication . Porto Alegre: Sulina, 2004.

PRADO, Gilbertto. Telematics: from one-to-one exchanges to multi-user virtual environments . São Paulo: Itaú Cultural, 2003.

PRADO, Gilbertto; TAVARES, Monica; ARANTES, Priscila (Org.). Transdisciplinary dialogues: art and research. São Paulo: ECA / USP, 2016.

ZUANON, Rachel .; PRADO, Gilbertto .; FERREIRA, Claudio Lima. Transdisciplinarities: Projects, materials and processes . DAT Journal , v. 1, n. 2, p. 1, 27 Dec. 2016.

SANTOS, Boaventura de Sousa. The future of the World Social Forum: the work of translation . Revista del Observatorio Social de América Latina, 2004, p. 77-90. Available in: <https://www.ces.uc.pt/myces/UserFiles/livros/65_Futuro%20FSM%20-%20O%20trabalho%20da%20traducao_OSAL_2004.pdf> . Accessed on: 8 nov. 2019.

SANTOS, Boaventura de Sousa; MENESES, Maria Paula (Org.). Southern epistemologies . São Paulo: Cortez, 2010.

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ABSTRACTS AND PRESENTATIONS

Title:DREAMS AND THE MANIPULATION OF SEARCH ALGORITHMS.
Author: Andréa Catrópa da Silva
Key words: Shortly.

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Reference

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CATROPA, Andrea .; NESTERIUK, Sergio .; PRADO, Gilbertto. From Hörspiel to Audio Fiction: Sound Design Perspectives for Blind and Visually Impaired People in Digital Human Modeling. Applications in Health, Safety, Ergonomics, and Risk Management. The 20th International Conference on Human-Computer Interaction, HCI International 2018, Las Vegas, NV, USA, pp. 268-279. DOI: 10.1007 / 978-3-319-91397-1_23 january 2018.

CHENIAUX, Elie. “Dreams: integrating psychoanalytic and neuroscientific views ”. In: Revista de Psiquiatria do Rio Grande do Sul, v. 28, n. 2, p. 169-177, 2006.

ELKIN, Lauren; ESPOSITO, Scott.The End of Oulipo? – An attempt to exhaust a movement. London: John Hunt Publishing, 2012.

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GRACIANO, A .; NESTERIUK, S .; PRADO, G. Considerations about “Pattern” . DAT Journal, v. 1, n. 2, p. 76-90, 27 Dec. 2016.

GRACIANO, Andrea. & PRADO, Gilbertto. (2019). Orbi Tipography: An algorithm based design project. Proceedings of the 9Th International Conference on Digital and Interactive Arts. Braga, Portugal. New York: The Association for Computing Machinery. P. 199-204. New York: The Association for Computing Machinery. ACM ISBN 978-1-4503-7250-3 / 19/10 https://doi.org/10.1145/3359852.3359862

JUNG, Carl Gustav. Memories, dreams, reflections . Rio de Janeiro: Nova Fronteira, 2016.

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PENNINO GRACIANO, A .; PARAGUAY, L. Algorithm and Typography: The Code as part of the digital font creation process . DAT Journal, v. 1, n. 1, p. 116-128, 29 Nov. 2016.

RIBEIRO, Siddhartha. The oracle of the night- The history and science of the dream . São Paulo: Companhia das Letras, 2019.

RIBEIRO, Siddhartha. “Dream, memory and Freud’s reunion with the brain” . In: Brazilian Journal of Psychiatry, v. 25, p. 59-63, 2003.

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Title: TUTORIAL: SCULPTURE OF TRIANGLES
Author: Juliana Harrison Henno
Key words: Shortly.

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Title: TUTORIAL: DISTORTED ANTENNA
Author: Lorena Ferreira Alves
Key words: Shortly.

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Title: SMELLSCAPE: FLOATING NARRATIVES
Author: Luisa Paraguay
Key words: Shortly.

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Title: SOME NOTES ON THE RESTORATION OF THE DIGITAL WORK DESERTESEJO
Authors: Marcos Cuzziol and Gilbertto Prado
Key words: Restoration. Desertesejo. VRML. Art and technology. Design
References

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CUZZIOL, Marcos. Desertesejo 2000 – Construction Site . Rapporteur COELHO, Julia In: FREIRE, Cristina (Org.). Contemporary Art: Preserving what? São Paulo: Museum of Contemporary Art of São Paulo, 2015. P. 161-166.

CUZZIOL, Marcos. R creation and maintenance of digital works: two experiences at Instituto Itaú Cultural . In: PRADO, Gilbertto; TAVARES, Monica; ARANTES, Priscila (Org.). Transdisciplinary dialogues: art and research. São Paulo: ECA / USP, 2016. P. 266-273.

CEPEDA, RG (2019). Rescuing new media art from technological obsolescence . DAT Journal , 4 (3), 37-46. https://doi.org/10.29147/dat.v4i3.145

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LIMA, Leonardo; PRADO, Gilbertto. Interactive Digital Images . DATJournal Design Art and Technology,[S .l.] , v. 3, n. 2, p. 43-71, Nov. 2018. DOI: https://doi.org/10.29147/dat.v3i2.86

AX, Arlindo. The subject on the screen: enunciation modes in cinema and cyberspace . São Paulo: Paulus, 2007.

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O’ROURKE, Karen. Walking and Mapping : artists as cartographers . Cambridge: MIT Press, 2013.

PRADO, Gilbertto. Art et Télématique. In: Les Cahiers du Collège Iconique , Communications et débats, n. XVIII, 2004-2005. Inathèque de France – Institut National de l’audiovisuel. Paris: INA, 2006. P. 1-39.

PRADO, Gilbertto. Artistic Experiments on Telematic Nets: Recent Experiments in Multiuser Virtual Environments in Brazil . In Leonardo, Vol. 37, No. 4, pp. 297-303, MIT Press, USA, 2004.

PRADO, Gilbertto. Telematic art: from one-off exchanges to multi-user virtual environments . São Paulo: Itaú Cultural, 2003. https://poeticasdigitais.files.wordpress.com/2009/09/2003-arte_telematica_dos_intercambios_pontuais_aos.pdf

PRADO, Gilbertto. (2013).‘Digital Art, Dialogues and Process’ in Possible Futures : Art , Museums And Digital Archives (org. Ana Gonçalves Magalhães; Giselle Beiguelman), São Paulo: Ed. Peirópolis, p. 114-128.

PRADO, Gilbertto; La Ferla, Jorge. Alameda Circuit . Mexico City: INBA | Laboratorio Arte Alameda, 2018. http://www.poeticasdigitais.net/assets/circuito_alameda_gttoprado_jlf.pdf

PRADO, Gilbertto; ASSIS, Jesus; RIBENBOIM, Ricardo. Two recent experiments in multiuser virtual environments in Brazil: Immaterials 99 and Desertesejo . In: Proceedings The Eghth Biennial Symposium on Arts and Technology , Connecticut College, New London, USA, 2001, p. 100-109.

ZUANON, Rachel .; PRADO, Gilbertto .; FERREIRA, Claudio Lima. Transdisciplinarities: Projects, materials and processes . DAT Journal , v. 1, n. 2, p. 1, 27 Dec. 2016.

WEIBEL, Peter. “The World as Interface: toward the construction of context-controlled event-worlds” in: DRUCKREY, Timothy. Electronic Culture : technology and visual representation, New York, Aperture, 1996.

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Title: EXPOGRAPHIC IMAGE AND NARRATIVE
Author: Priscilla Arantes
Key words: Exposure. Artemedia. Aesthetics. Art and technology. Design.
References

ARANTES, Priscila. 2005. Arte @ Mídia: perspectives of digital aesthetics . São Paulo, FAPESP / Editora Senac.

ARANTES, Priscila 2016. ISSOEOSODOSSO . São Paulo: Paço das Artes.

ARANTES, Priscila. 2005. Arte @ Mídia: perspectives of digital aesthetics . São Paulo, FAPESP / Editora Senac.

ARANTES, Priscila; OLIVEIRA, Mirtes. Design and Activism . DAT Journal Design Art and Technology, Vol 4 No 2 (2019). Editorial, p.1-2. Available at: https://datjournal.anhembi.br/dat/article/view/124/103. Accessed on: 26 sept. 2019. DOI: https://doi.org/10.29147/dat.v4i2.124

ARANTES, Priscila; PRADO, Gilbertto. (2019). Expanded Circuits and Poetic re-writings: Alameda Circuit. Proceedings of the 25th International Symposium on Electronic Art. Gwangju, Korea: Art Center Nabi. Available at: http://j.mp/2Y893FU Accessed on: 26 sep. 2019. P. 679-682.

BARBOSA, Valéria; ARANTES, Priscila. Outstanding in egg production, DATJournal v.4 n.2 (2019), 122-134. Available in:< https://datjournal.anhembi.br/dat/article/view/137> . Accessed on: 26 sept. 2019. DOI: https://doi.org/10.29147/dat.v4i2.137

CATROPA, Andrea; PRADO, Gilbertto. 2018. “Designed Words: Aesthetics of the Future in Brazilian Concrete Poetry.” The International Journal of Visual Design 12 (4): 35-53. doi: 10.18848 / 2325-1581 / CGP / v12i04 / 35-53. DOI: https://doi.org/10.18848/2325-1581/CGP/v12i04/35-53

FLUSSER, Vilém (1985). Philosophy of the black box – Essays for a future philosophy of photography .

FLUSSER, V, 2007. The codified world: for a philosophy of design and communication . organized by Rafael Cardoso. Translation by Raquel Abi-Sâmara. São Paulo: Cosac Naify.

PRADO, Gilbertto; TAVARES, Monica; ARANTES, Priscila (Org.). 2016. Transdisciplinary dialogues: art and research . São Paulo: ECA / USP. Available in:< http://poeticasdigitais.net/POETICAS/assets/dialogostransdisciplinares.pdf> . Accessed on: 03 dec. 2018.

VENTURELLI Suzete; Cleomar ROCK; SILVA, Teófilo Augusto da; COUTINHO, Cláudio; REIS, Artur Cabral Reis; MARTINS, Tainá and HARGREAVES, Prahlada. Body poiesis. IN: DATJournal v. 3 n. 1 (2018): DOI: https://doi.org/10.29147/dat.v3i1.78

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Title: ANTHROPOCENE: THE IMPORTANCE OF IMPLEMENTING THE CULTURE OF INNOVATION IN THE CONTEMPORARY SOCIAL CONTEXT
Author: Rodolfo Ward
Key words: Anthropocene. Culture. Art and technology. Design.
References

HAN, Byung-Chul. The society of transparency. Lisbon: Relógio D’Água Editores, 2014.

HAN, Byung-Chul. Tiredness society . Translation by Enio Giachini. Petrópolis: Vozes, 2015.

PENA VEGA, Alfredo. Wawekrurê: different looks ./Rodolfo Ward, organization, photographs. Brasília: Federal Senate, Editorial Board, 2015. 156 p .: il., Photos. Federal Senate Editions, v. 213.Link: https://www.youtube.com/watch?v=YcyB31iQOrY

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Organizers

  • Gilbertto Prado (UAM – Universidade Anhembi Morumbi, Brasil);
  • Sérgio Nesteriuk (UAM – Universidade Anhembi Morumbi, Brasil);
  • Suzete Venturelli ( UAM – Anhembi Morumbi University, Brazil).

Scientific commission

  • Andréa Catrópa da Silva ( UAM – Anhembi Morumbi University, Brazil);
  • Juliana Harrison Henno ( USP – University of Sao Paulo);
  • Lorena Ferreira Alves ( UnB – University of Brasilia);
  • Lucia Santaella ( PUC – Pontifical Catholic University – São Paulo, Brazil);
  • Luisa Paraguai (PUC – Pontifical Catholic University – Campinas, Brazil);
  • Milton Sogabe (UAM – Anhembi Morumbi University, Brazil);
  • Priscilla Arantes ( UAM – Anhembi Morumbi University, Brazil);
  • Rachel Zuanon (Unicamp – University of Campinas, Brazil);
  • Rodolfo Ward ( UnB – University of Brasilia);
  • Silvia Laurentiz ( USP – University of Sao Paulo);
  • Sonia Guggisberg ( USP – University of Sao Paulo).
Seg, 26/08 Seg, 26/08
Opening | 9:30 am to 10:00 am

  • Gilbertto Prado;
  • Paolo Roberto Inglese Tommasini (Reitor);
  • Suzete Venturelli;
  • Sérgio Nesteriuk (Coord. PPG Design)

Lecture | 10am to 11am
The Pleasure of the Image

  • Regina Silveira;
  • Gilbertto Prado (UAM – Mediator).

Debate | 11am to 12pm

  • Members’ participation;
Seg, 26/08 Tue, 8/27
Round Table | 4 pm to 5:30 pm

  • Anna Mae Barbosa (UAM);
  • Maria Luiza Fragoso (UFRJ) /[Vídeo ensaio] ;
  • Eloize Navalon (UAM).

Debate | 5:30 pm to 7:00 pm

  • Members’ participation;

Lecture | 10 am to 11:30 am
Aesthetics of fascination

  • Lúcia Santaella;
  • Suzete Venturelli (UAM – Mediator).

Debate | 11:30 am to 1:00 pm

  • Members’ participation;
Tue, 8/27 Wed, 8/28
Round Table | 2 pm to 3:30 pm

  • Alan Richard (UAM);
  • Marcos Cuzziol (Itaú Cultural);
  • Silvia Laurentiz (USP);
  • Sérgio Nesteriuk (UAM – Mediator).

Debate | 5:30 pm to 7:00 pm

  • Members’ participation;

DAT Round Table | 2 pm to 3:30 pm

  • Alckmar Luis dos Santos (UFSC);
  • Andrea Catrópa (UAM);
  • Ricardo Balija (UAM);
  • Geraldo Coelho Lima Júnior (UAM – Mediator).

Debate | 3:30 pm to 5:00 pm

  • Members’ participation;
Wed, 8/28 Wed, 8/28

Lecture | 5 pm to 6 pm

  • Milton Sogabe (UAM).

Closing | 6 PM

  • Closing of the day’s work and the event