RETINA International Colloquium – Vol.2 – 2020 , this year in – São Paulo, occurred as part of the HUB events 2020, a consortium of 4 events listed above, as well as with the performance and support listed above. The authors and videos of tables in the annals mentioned below are related to the RETINA International Colloquium .
RETINA International Colloquium – Vol.2 – 2020
Universidade Anhembi-Morumbi – Programa de Pós-Graduação em Design – INSS: 2675-9039
October 19-23, 2020
O RETINA International Colloquium – Vol.2 – 2020 it is organized by the PPG-Design of the Anhembi-Morumbi University and the Université Paris 8, France.
Complete Edition
TEXTS
Title: IP3_AMARELO: CYBERNATURAL AND COEXISTENCE BETWEEN NATURE AND MACHINE
Author: Artur Cabral Reis
Key words: Cybernatural. Nature-artifice. Computational art. IP3_AMARELO.
References
CABRAL, A .; VENTURELLI, S .; PRADO, G. Signals detected between the biological and the mechanical. DAT Journal, v. 4, n. 3, p. 117-127, 6 Dec. 2019. https://doi.org/10.29147/dat.v4i3.152
HUWS, Ursula. Nature, Technology and Art: The Emergence of a New Relationship? Leonardo. Vol. 33, No. 1 (2014), pp. 33-40.
LATOUR, Bruno. Agency at the time of the anthropocene. New Literary History.
Vol..45, n.1, p.1-18, 2014.
Natalie Jeremijenko «One Trees» . Medien Kunst Netz, 2012. Works. Available in:
<http://www.medienkunstnetz.de/works/one-trees/> . Accessed on: 03, October 2020.
VENTURELLI, Suzete. Art: space_tempo_imagem . Brasília: Edunb, 2004.
VENTURELLI, S., Rocha, C., Augusto da Silva, T., Coutinho, C., Cabral Reis, A., Bartholo, C., Mutti, G., Balduíno, G., Ramalho, L., Luize Martins , T., & Hargreaves, P. (2018). Poiesis of the body . DAT Journal, 3 (1), 147-155. https://doi.org/10.29147/dat.v3i1.78
WHITELAW, Mitchell. Metacreation – Art and Artificial Life . Cambridge, Mass .: The MIT Press, 2004.
Title: REDESIGN: AUDIOVISUAL PROJECTIONS IN LANDSCAPE ARCHITECTURE
Authors: Daniel Jesus de Souza Prazeres and Suzete Venturelli
Key words: Redesign. Landscape architecture. Audiovisual projection. Urban landscape.
References
ABBUD, Benedito., Creating Landscapes Guide to working in landscape architecture . 3rd Ed. São Paulo: Senac, 2007.
BRISSAC, Nelson Peixoto. Cityscape . São Paulo: 4th edition, Senac, 2009.
CARDOSO, Rafael. Design for a complex world . São Paulo: UBU Editora, 2016. EMPLER, Tommaso. Dynamic Urban Projection Mapping. Proceedings 2017, 1, 923. FLUSSER, Vilém. The codified world: For a philosophy of Design and communication. Organized by Rafael Cardoso; Translation: Raquel Abi-Sâmara; São Paulo: Ubu Editora, 2017.
LATOUR, Bruno. A cautious Prometheus ?: some steps towards a design philosophy with special attention to Peter Slotedijk . Agitprop: Brazilian design magazine, São Paulo, Vol. 6, n. 58, jul./ago. 2014.
LERNER, Jaime. Urban acupuncture . Rio de Janeiro: Editora Record, 2015. KOWARICK, Lúcio. Urban writings. São Paulo: Editora 34, 2009.
RINK, Anita. Graffiti: Urban intervention and art / Anita Rink. – 1.ed.- Curitiba: Editora Appris, 2013. 200p.
ROLNIK, Raquel. Conflicting territories: São Paulo: Space, history and politics . São Paulo: Three stars, 2017.
VENTURELLI, Suzete. Intervention of the artist in the urban context with computed mapped projection. Visual Poetics Committee; UNB-University of Brasília, 1999.
Title: L’ESPRIT DE LA RECHERCHE
Author: Francois Soulages
Key words: Esthétique. Theorie. Image. Méthode.
References
SOULAGES, F. The pleasure of the image after the Last Men . DAT Journal, v. 4, n. 3, p. 3-10, 6 Dec. 2019.
Title: CAN MACHINES DO ART ?: NON-HUMAN INTERVENTIONS IN ART AND FASHION
Authors: Reynaldo Thompson and Tirtha Mukhopadhyay
Key words: Art and technology. Art and Fashion. Contemporary art. Design.
References
BATAILLE, George. Eroticism . Maryom Boyars Publishers Ltd. London, 1998.
Bedau, Mark. “The Scientific and Philosophical Scope of Artificial Life,” Leonardo 35, No. 4 (August 2002) pp. 395-400.
BURNHAM, Jack. “Systems Esthetics,” Artforum 7, No. 1 (September 1968) pp. 31-37.
MARRIED Navarro, Arturo et.al. El Arte Mexicano. Contemporary Art . Volumen 13. SEP, Salvat. Quéretaro, Mexico: 1986.
PARREIRA Correia, Luis Miguel. “From Natural to Artificial Life, ”Revista Portuguesa de Filosofia, T. 66, Fasc. 4, Darwinism: Strands Scientific and Religious / Darwinism: Scientific and Religious Strands (2010) pp. 789-802.
KAC, Eduardo. “Foundation and Development of Robotic Art,” Art Journal 56, No. 3 (Autumn1997) pp. 60-67.
KANT, Immanuel. Critique of the game . Austral Collection. Espasa Calpe. Madrid. 1990.
KING, Lindsay M. and Russell T. Clement. Style and Substance: Fashion in Twenty-First- Century Research Libraries . Art Documentation: Journal of the Art Libraries Society of North America, Vol. 31, No. 1 (Spring 2012), pp. 93-107.
KUSPIT, Donald. The fin of art . Aka. Madrid: 2006.
LANGA, Helena. Radical Art: Printmaking and the Left in 1930s New York . Berkeley, California: University of California Press, 2004.
LIN, Po Hsien. “A Dream of Digital Art: Beyond the Myth of Contemporary Computer Technology in Visual Arts,” Visual Arts Research 31, No. 1 (60) (2005) pp. 4-12.
LIPOVETSKY, Gilles. Empire of the ephemeral. Fashion and its destination in modern societies. Anagram. Barcelona: 2000.
MARCUSE, Herbert. Eros y civilizacion. Edit. Ariel. Barcelona: 2003.
MCQUEEN, Alexander. Savage Beauty. Metropolitan Museum of Art. Photographs by Sølve Sundsbø. Metropolitan Museum of Art (New York, NY) 2011.
MOON, Francis. The Machines of Leonardo da Vinci and Franz Reuleaux . Kinematics of the Machine from the Renaissance to the Twentieth Century.Springer 2007.
MOSES, Omri. Jackson Pollock’s Address to the Nonhuman . Oxford Art Journal, Vol. 27, No. 1 (2004), pp. 3-22.
STEIN, Philip. Siqueiros . International Publishers, New York: 1994.
THOMPSON, Reynaldo, and Tirtha Mukhopadhyay. 2020. “Sidereal Project and the Music of Cosmic Animism” . DAT Journal5 (1): 88-98. https://doi.org/10.29147/dat.v5i1.172.
TAYLOR, Richard P, Adam P. Micolich and David Jonas. The Construction of Jackson Pollock’s Fractal Drip Paintings . Leonardo, Vol. 35, No. 2 (2002), pp. 203-207. 4.
TAYLOR, Richard PAP Micolich and D. Jonas, “Fractal Expressionism,” Physics World 12 (1999) p.25
ABSTRACTS
Title: CONSIDERATIONS ON PARAMETRIC DESIGN AND GENERATIVE DESIGN
Authors: Andréa Graciano and Gilbertto Prado
Key words: Parametric design. Generative design. Algorithm.
References
ARANTES, Priscila; OLIVEIRA, Mirtes. Design and Activism . DATJournal Design Art and Technology, v. 4, n. 2 (2019). Editorial, p. 1-2. DOI: https://doi.org/10.29147/dat.v4i2.124.
CATROPA, Andrea .; NESTERIUK, Sergio .; PRADO, Gilbertto. F rom Hörspiel to Audio Fiction: Sound Design Perspectives for Blind and Visually Impaired People in Digital Human Modeling . Applications in Health, Safety, Ergonomics, and Risk Management. The 20th International Conference on Human-Computer Interaction, HCI International 2018, Las Vegas, NV, USA, p. 268-279. DOI: 10.1007 / 978-3-319-91397-1_23 january 2018.
Graciano, A. & Prado, G. (2019). Orbi Tipography: An algorithm based design project. Proceedings of the 9Th International Conference on Digital and Interactive Arts. Braga, Portugal. New York: The Association for Computing Machinery. P. 199-204. New York: The Association for Computing Machinery. https://doi.org/10.1145/3359852.3359862
GRACIANO, Andréa; PRADO, Gilbertto. Random panels: the genius of Athos Bulcão’s modules. EGA Expresión Gráfica Arquitectónica,[S .l.] , v. 22, n. 30, p. 74-83, jul. 2017. doi: https: //doi.org/10.4995/ega.2017.7829.
GRACIANO, A .; NESTERIUK, S .; PRADO, G. Pattern considerations . DAT Journal, v. 1, n. 2, p. 76-90, 27 Dec. 2016.
GRACIANO, Andrea. & PRADO, Gilbertto. (2019). Orbi Tipography: An algorithm based design project . Proceedings of the 9Th International Conference on Digital and Interactive Arts. Braga, Portugal. New York: The Association for Computing Machinery. P. 199-204. New York: The Association for Computing Machinery. ACM ISBN 978-1-4503-7250-3 / 19/10 https://doi.org/10.1145/3359852.3359862
LIMA, Leonardo; PRADO, Gilbertto. Interactive Digital Images. DATJournal v. 3 n. 2 (2018), p. 43-71. DOI: https://doi.org/10.29147/dat.v3i2.86
PRADO, Gilbertto; La Ferla, Jorge (Ed.). Alameda Circuit. Ciudad de México: National Institute of Fine Arts | Laboratorio Arte Alameda, 2018. http://www.gilberttoprado.net/assets/circuito_alameda_gttoprado_jlf.pdf
PRADO, Gilbertto. Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment . Leonardo 2018 51: 1, 61-62. The MIT Press https://doi.org/10.1162/LEON_a_01557
PRADO, Gilbertto. Digital Poetics Group: Dialogo y Medio Ambiente . ANIAV – Revista de Investigación en Artes Visuales,[S .l.] , v. 1, n. 1, p. 47-58, jul. 2017. doi: https: //doi.org/10.4995/aniav.2017.7820.
PRADO, Gilbertto. Digital Poetics Group: slips and mulberry projects. ARS (São Paulo), São Paulo, Vol. 8, n. 16, 2010 . pp. 110-125. doi: https://doi.org/10.1590/S1678-53202010000200008
PRADO, Gilbertto. Telematic art: from one-to-one exchanges to multi-user virtual environments. São Paulo: Itaú Cultural, 2003.
PENNINO GRACIANO, A .; PARAGUAY, L. Algorithm and Typography: The code as part of the digital font creation process. DAT Journal, v. 1, n. 1, p. 116-128, 29 Nov. 2016.
SANTAELLA, L. (2017). Game art in the context of digital art . DAT Journal, 2 (1), 3-14. https://doi.org/10.29147/2526-1789.DAT.2017v2i1p2-13
SANTAELLA, L. (2019). Aesthetics of Fascination . DAT Journal, 4 (3), 22-36. https://doi.org/10.29147/dat.v4i3.144
Title: BOTTICELLI AND THE REBIRTH CRISIS. THE CONTRIBUTION OF PAVEL MURATOV (1881-1950)
Author: Biagio D’Angelo
Key words: Muratov; Botticelli; interpretations about the Renaissance.
Title: EXTREMITIES
Author: Christine Mello
Key words: Coming soon
Title: EXPLODE! INFRASTRUCTURES
Author: Claudio Bueno
Key words: Infrastructure. Technology. Body. Life. Earth.
Title: L’ESPRIT DE LA RECHERCHE
Author: Francois Soulages
Key words: Esthétique. Theorie. Image. Méthode.
References
SOULAGES, F. The pleasure of the image after the Last Men. DAT Journal, v. 4, n. 3, p. 3-10, 6 Dec. 2019.
Title: LO HUMANO DISTRIBUIDO
Author: Jesús Fernando Monreal Ramírez
Key words: Shortly
Title: PLATFORM CAPITALISM IN THE POST-PANDEMIC WORLD
Author: Jorge Machado
Key words: Platform capitalism. Pandemic. Entrepreneurship. Conjectures.
Title: FROM TECHNOLOGICAL OBSOLESCENCE TO MATERIAL DEGRADABILITY.
Author: Mariela Yeregui
Key words: Biocene. Anthropocene. New materialities.Co-creation. Impermanence. Biological systems. Live art.
Title: THE QUESTION OF DIGITAL PRESERVATION IN THE ARTS AND DIGITAL LITERATURE
Author: Pablo Gobira
Key words: Digital arts. Digital poetics. Digital preservation. Digital literature. Digital poetry.
Title: QUANTUM: HOW TO BUILD A SIMULATOR
Author: Rejane Cantoni
Key words: Art. Installation. Interaction. Simulation. Quantum mechanics. Quantum computing
Title: OUTSIDE THE SHELF: FILE AND PRESERVATION ISSUES IN THE DIGITAL LITERATURE
Author: Rejane Rocha
Key words: Digital literature. Archive. Preservation. Repository of Brazilian Digital Literature.
Title: INTERACTIVE ART, ARTIFICIAL INTELLIGENCE AND ALTERITY.
Author: Renato Bertão
Key words: Interactive art. Artificial intelligence. AI art.
Title: COMPENSATION ZONES 7.0 – DIGITAL GALLERY.
Author: Rosangela Leote
Key words: Digital art gallery. Artificial intelligence. Virtual reality. Augmented reality. Clearing Zones.
Title: THE POST-DIGITAL CREATION CYCLE: FROM DIGITAL TO TANGIBLE DEVELOPMENT
Authors: Selma Pereira and Adérito Fernandes-Marcos
Key words: Post-Digital. Digital Media-Art. Creation process. Creation Cycle.
Title: CULTURE, TRANSLATION AND MISCIGENATION IN ART
Author: Sonia Guggisberg
Key words: Translation. Culture. Miscegenation. Art.
References
ARANTES, Priscila; OLIVEIRA, Mirtes. Design and Activism . DATJournal Design Art and Technology, v. 4, n. 2 (2019). Editorial, p. 1-2. Available at: https://datjournal.anhembi.br/dat/article/view/124/103. Accessed on: 8 nov. 2019. DOI: https://doi.org/10.29147/dat.v4i2.124.
LIMA, Leonardo; PRADO, Gilbertto. Interactive Digital Images . DATJournal v. 3 n. 2 (2018), p. 43-71. DOI: https://doi.org/10.29147/dat.v3i2.86
GREINER, Christine. The body in crisis: new clues and the short circuit of representations . São Paulo: Annablume, 2010.
GUGGISBERG, Sonia. Networks of images, memories and testimonies: for a performative documentation of knowledge . São Paulo: Intermeios, 2017.
GUGGISBERG, Sonia. Life Wheel . Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts. Braga, Portugal. DOI: https://doi.org/10.1145/3395852.3359932.
GUGGISBERG, Sonia. Passing Testimonials . DAT Journal, 4 (3), 108-116. 2019. https://doi.org/10.29147/dat.v4i3.151
PARENTE, André. The cinema form: variations and ruptures. In: MACIEL, Katia (Org.). Transcinemas. Rio de Janeiro: Contra Capa, 2009.
PARENTE, André. Network plots: new aesthetic and political dimensions of communication . Porto Alegre: Sulina, 2004.
PRADO, Gilbertto. Telematics: from one-to-one exchanges to multi-user virtual environments . São Paulo: Itaú Cultural, 2003.
PRADO, Gilbertto; TAVARES, Monica; ARANTES, Priscila (Org.). Transdisciplinary dialogues: art and research . São Paulo: ECA / USP, 2016.
SANTOS, Boaventura de Sousa. The future of the World Social Forum: the work of translation. Revista del Observatorio Social de América Latina, 2004, p. 77-90. Available in:< https://www.ces.uc.pt/myces/UserFiles/livros/65_Futuro%20FSM%20-%20O%20trabalho%20da%20traducao_OSAL_2004.pdf> . Accessed on: 8 nov. 2019.
SANTOS, Boaventura de Sousa .; MENESES, Maria Paula (Org.). Southern epistemologies . São Paulo: Cortez, 2010.
Organizers
- François Soulages (Université Paris 8, França);
- Gilbertto Prado (UAM – Universidade Anhembi Morumbi, Brasil);
- Suzete Venturelli (UAM – Universidade Anhembi Morumbi, Brasil)
Scientific commission
- Biaggio D’Ângelo (UnB – Universidade de Brasilia, Brasil);
- Clarissa Ribeiro ( Unifor – University of Fortaleza, Brazil);
- Francisco de Paula Barretto (UFBA – Universidade Federal da Bahia, Brasil);
- Luisa Paraguai (PUC – Pontifical Catholic University – Campinas, Brazil);
- Malu Fragoso (UFRJ – Federal University of Rio de Janeiro, Brazil);
- Monica Tavares (USP – University of São Paulo, Brazil);
- Rachel Zuanon (Unicamp – University of Campinas, Brazil);
- Sandra Rey (UFRGS – Universidade Federal do Rio Grande do Sul, Brasil);
- Sergio Nesteriuk (UAM – Universidade Anhembi Morumbi, Brasil).
| Wed, 10/21 | Wed, 10/21 |
|---|---|
| Round table 32 – | 10 am to 11:30 am Art Dimensions
|
Round Table 13 | 3:30 pm to 5:00 pm Visual poetry and restoration
|
| Thu, 10/22 | Fri, 10/23 |
| Round Table 20 | 6 pm to 7:30 pm Methods and processes of contemporary computational poetics
Link: https://youtu.be/E9f-Bbj0B7A |
Lecture 7 | 9am to 10am François Soulages
Link : https://www.youtube.com/watch?v=pd9wR_2136Q&t=287s |
| Fri, 10/23 | Fri, 10/23 |
| Round Table 21 | 10 am to 11:30 am Activism and society
Link : https://youtu.be/rzUR5uu3TP0 |
Lecture 8 | 2 pm to 3 pm
|
| Thu, 10/22 | |
| Round Table 23 | 3pm to 4:30 pm Digital and Post-Digital II
Link : https://youtu.be/tDOM_aNt_fA |